"Why not, with such a studied omission on his part to gloss over in any manner the painful tension existing between them—the painful tension that, under providence, I've been the means of bringing about? He gives you by his silence clear notice that his marriage is practically off." CHAPTER XIV!

CHAPTER XXII Fleda hesitated; she had not foreseen that so simple an inquiry could disconcert her. "I'm afraid I don't know."

"That would have saved me—well, it would have saved me a lot. Of course I would rather see you than her," he somewhat awkwardly added. "When the fellow spoke of you, I assure you I quite jumped at you. In fact I've no real desire to see Mummy at all. If she thinks I like it—!" He sighed disgustedly. "I only came down because it seemed better than any other way. I didn't want her to be able to say I hadn't been all right. I dare say you know she has taken everything; or if not quite everything, why, a lot more than one ever dreamed. You can see for yourself—she has got half the place down. She has got them crammed—you can see for yourself!" He had his old trick of artless repetition, his helpless iteration of the obvious; but he was sensibly different, for Fleda, if only by the difference of his clear face, mottled over and almost disfigured by little points of pain. He might have been a fine young man with a bad toothache; with the first even of his life. What ailed him above all, she felt, was that trouble was new to him: he had never known a difficulty; he had taken all his fences, his world wholly the world of the personally possible, rounded indeed by a gray suburb into which he had never had occasion to stray. In this vulgar and ill-lighted region he had evidently now lost himself. "We left it quite to her honor, you know," he said ruefully. "I suppose you'd go back to London." "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"